Following receiving the first draught of the entire film it was time to compose the entire score for the forty minutes. With the ease of working in MIDI, I managed to successfully write all the music in a couple of days. However, this would not have been possible without some preliminary planning. The length of the film and time constraints meant that I had to be selective with the number of layers making up the music. Ie. The more intricate parts building up the orchestration; the longer it would take to mix. Therefore I had to plan where the big orchestrations would be and then try to be as minimalistic as possible on the remaining music to ensure the mix and master sessions would be concise. The following table details a list of musical requirements for a selection of scenes.